SKILL.md


name: paper-collage-explainer-generator description: | For creators, educators, and social-video editors who need a tactile paper-collage language for narration, knowledge points, opinions, or abstract topics. Users provide source copy, story beats, or a core concept and may specify aspect ratio, duration, palette, and audio needs. The Skill extracts meaning, proposes visual metaphors, prepares a production plan and storyboard, generates approved halftone collage stills, then creates stop-motion clips with paper movement and tactile sound effects, with optional final assembly. By default it keeps collage SFX and does not add BGM, voiceover, or subtitles unless requested. Best for explainers, viewpoints, story visuals, and social B-roll; not for presenter ads, editable layers, complex typography, or prompt-only tasks. compatibility: Requires the MiniMax Hub agent (canvas workspace and Hub-native image/video/audio tools); not portable to generic agent harnesses. trigger-words: [paper collage explainer, paper-collage animation, halftone collage, collage explainer, 纸拼贴, 拼贴科普, 定格拼贴, 拼贴动画] exported-by: MiniMax-hub


Paper Collage Explainer Generator

Turn a short narration line, story topic, viewpoint sentence, or abstract idea into a cohesive editorial paper-collage animation sequence. The visual language is premium halftone paper collage: flat bold color fields, black-and-white photographic cut-outs, selective colored cardstock accents, warm cream keylines, soft paper shadows, tactile stop-motion assembly, and crisp collage sound effects.

This Hub-adapted Skill uses Hub-native image, video, audio, and optional postprocess capabilities. It prioritizes style continuity, color harmony, controlled paper texture, stop-motion collage rhythm, and an audio policy that keeps tactile collage SFX by default while explicitly not adding BGM, voiceover, or subtitles unless the user requests them.

When to Use

Use this Skill when the user wants:

Do not use this Skill when the user needs:

Default Creative Targets

Unless the user specifies otherwise:

Audio Policy

This Skill's default delivery is with collage SFX, and without BGM, voiceover, or subtitles.

  1. During the first production-plan confirmation, state the default media approach explicitly: tactile paper-collage sound effects are kept or generated; BGM, voiceover/口播, and subtitles are not added by default.
  2. It is acceptable to ask the user whether they want voiceover narration/口播, BGM, or subtitles, especially for explainers, but present all three as optional add-ons, not defaults.
  3. Do not infer that an explainer automatically needs spoken narration. If the user does not choose narration, create visual story beats rather than a voiceover script.
  4. Do not infer that a social video automatically needs BGM or subtitles. If the user does not choose them, keep the clip SFX only.
  5. When generating video clips, request synchronized tactile collage SFX if the selected video model supports audio: paper pieces sliding, popping, pressing flat, soft taps, and light paper rustles.
  6. During final assembly, preserve the original clip audio tracks when they contain collage SFX. Do not drop audio by default.
  7. Remove or replace audio only when the user asked for silence, when the generated audio contains unwanted speech/music, or when the user requests a separate music/narration mix. Create subtitles only when the user explicitly asks for them.

Global Style Rules

Apply these rules to every still and video in the project:

  1. Unify the overall visual style. Every segment should feel like part of the same editorial paper-collage series: halftone cut-outs, flat color fields, warm cream keylines, soft physical shadows, clean composition, tactile paper material, and coordinated collage SFX.
  2. Control the paper texture intensity. Paper must not look perfectly flat, but it also must not become over-aged, dirty, wrinkled, or brown unless the user explicitly asks. Prefer clean, refined hand-made texture: subtle fiber, slightly irregular torn edges, light deckled fibers, layered seams, and soft shadows.
  3. Unify the color tone. Do not introduce kraft-paper, brown, yellowed, or distressed base papers when they clash with the approved still or the batch palette. Start each clip from a paper field that matches the approved final still's main color direction.
  4. Make motion read as stop-motion collage. Use clear paper-piece actions: appear piece by piece, slide or pop into position, lightly bounce, press flat, pause, then lock into the final composition. Avoid fast spinning, excessive flipping, chaotic object flight, global fades, smooth digital panning, zooming, or generic drifting.
  5. Keep segments coordinated. Once one or two clips establish the approved batch style and SFX cadence, later clips and revisions should reference that cadence and tone so the whole sequence feels coherent.
  6. Default to polished 16:9 layered scenes. Unless the user explicitly requests another platform frame, plan and generate in 16:9 landscape. Use the wider canvas to build attractive foreground / midground / background separation, richer environment props, clear subject hierarchy, and cinematic lateral composition without turning the frame into clutter.
  7. Emphasize paper-collage craft. Every still and clip should make the paper-collage method visible: separable paper groups, halftone photographic cut-outs, colored cardstock accents, tactile shadows, torn edges, layered seams, and stop-motion actions such as pop-in, slide-in, light bounce, press-flat, pause, and lock.

STEP 1: Parse the Input

For each line, concept, story, or topic, extract:

For a story topic, split the story into three to six concise beats unless the user specifies a count. Similar beats may share the same design language, but each should have a distinct metaphor, object set, color field, and SFX rhythm.

STEP 2: Gate 1 — Production Plan Document Approval

Before generating any media, create a concise production plan document and stop for user approval. Do not generate stills or videos before the user confirms this document.

The production plan must include:

Brief

Visual Metaphors

For each planned segment:

Script / Visual Beat Track

If the user explicitly requests narration, write a concise voiceover script. If the user has not explicitly requested narration, do not write a voiceover script; instead write a silent visual beat track explaining what the audience understands from the sequence.

If the user only needs B-roll for an existing line, preserve the original line as context instead of inventing narration.

Storyboard

For each segment, include:

After presenting the production plan document, wait for the user to approve, reject, or revise. If the user approves only some numbered items, move only those items forward and revise the rest.

STEP 3: Build Still-Frame Specifications

After the production plan is approved, write a compact visual specification for each approved segment. The specification should be self-contained and suitable for image generation.

Include:

Use this style signature:

flat bold color field, black-and-white halftone photographic cut-outs, selective colored cardstock accents, warm cream keylines, soft paper shadows, fine uncoated-paper grain, premium editorial paper collage, clean refined hand-torn paper edges, subtle fibrous edges, layered paper seams

Color guidance:

Do not make cobalt blue the automatic default. Keep the batch visually unified through paper texture, halftone treatment, keylines, shadows, framing, and a controlled palette. Vary the color field only when the story beat benefits from contrast.

STEP 4: Gate 2 — Generate and Approve Still Frames

Generate one final still frame per approved segment. The still must look like the completed last frame of the future animation.

Still-frame requirements:

Show the generated still frames to the user and stop for approval before video generation. If a still looks too busy, has mismatched color, too many paper layers, too-flat digital edges, or too much aged/brown paper texture, revise the still before video generation.

STEP 5: Plan the Stop-Motion Assembly

For each approved still frame, prepare a motion plan that treats the approved still as the completed final frame.

Default motion order:

  1. Start from a clean paper color field matching the approved still's main background, not a mismatched kraft-paper or brown base.
  2. Base structure appears as paper pieces that slide, pop, or press into place.
  3. Character, card, object, or main metaphor element enters.
  4. Secondary objects assemble one by one with small bounce, press-flat, and pause beats.
  5. Final relationship locks into the approved composition.
  6. Hold the completed still-like frame briefly at the end.

Motion prompt guidance:

Paper-collage stop-motion assembly. Start on a clean paper field matching the approved still's background color and tone. Assemble the scene piece by piece with tactile stop-motion timing: foreground, midground, and background paper groups appear in a readable order; each paper object appears, slides or pops in, lightly bounces, presses flat, pauses, and locks into place. Preserve the halftone dots, cream keylines, subtle fibrous torn edges, layered paper seams, soft shadows, paper grain, color field, and approved aspect ratio. End by holding the completed composition matching the approved still frame. Sound design: tactile collage SFX only, synchronized to paper-piece motion: soft paper slide, pop-in, press-flat tap, light rustle, and tiny paper snap where appropriate. Default: do not add BGM, voiceover, dialogue, or subtitles unless the user explicitly requested them. No mismatched kraft-paper opening, no brown/yellowed base unless approved, no fast spinning, no chaotic object flight, no smooth digital layer movement, no scene cuts, no camera move, no zoom, no morphing, no new objects, no text, no logos, no watermark, no UI.

STEP 6: Generate Collage-SFX B-roll Clips

After Gate 2 approval, generate one video clip per approved still frame.

Generation requirements:

Use MiniMax-H3 as the default video generation model for this Skill. Do not ask the user to choose a model unless MiniMax-H3 fails, is unavailable, or cannot satisfy a hard capability requirement. If the user explicitly specified another model, keep that model as primary and adapt parameters only when needed.

STEP 7: Quality Review

Review stills and clips against these standards:

Minor drift in tiny details is acceptable if the metaphor remains clear and the final composition still resembles the approved still. Major drift, added text, fake UI, mismatched opening color, unwanted kraft-paper base, over-wrinkled/dirty paper texture, lost stop-motion assembly, unwanted BGM, or unwanted voiceover should be regenerated or post-processed depending on where the issue appears.

STEP 8: Optional Assembly, Music, Narration, and Delivery

If the user asks for a multi-clip story video, assemble the approved clips in the confirmed storyboard order and preserve each clip's original collage SFX by default.

Add BGM, narration/口播, or subtitles only when explicitly requested. When the user requests BGM or narration after clips already exist, mix it with the collage SFX instead of replacing SFX, unless the user asks to mute the original SFX.

For each completed item, deliver:

For batch work, group the outputs by item number and keep the user's original line or story beat attached to its result.

Failure Handling

下载此文件